Æon Flux (2005) (6/10)

A futuristic sci-fi movie where a dying world was saved by a scientist and all the saved people are living in a huge city separated from nature. This continues for 400 years but something has been brewing. The action is too fantastic as is often the case when anything is dubbed futuristic, and so are some of the gimmicks. Its always the right people with the right implements. Including the magnetic balls, in-brain communication, the non-distributed master database.

What I did like about the movie was its premise, which is plausible, but also mainly the solution that comes about. Many times time is a very good solution to many problems provided no destructive interference is being brought about.

Æon Flux (2005) (6/10)

Vihir (2009) (8/10)

This is the story of two teen-aged cousins. The first half is of the slightly older one (Nachiket) who is starting to ask himself some abstract questions about being as he sees around him relations that are not completely healthy, but are shown to be that way so that minds don't get hurt. He hopes to go away from all this. He is the idol of his younger cousin (Samir) who is visiting. Samir does not understand what Nachiket is talking about - and thinks Nachiket is going to run away, and shortly thereafter his own journey starts.

It is an extremely well made, well acted movie which deals with the unanswerable question of death and what it means and how it should be handled. Music, photography, repetitions (the well, swimming, dripping water, biking, bus rides) are used effectively to create an atmosphere that keeps you bound to the theme. The relations between the large family and their nuances are brought out very well and provide a nice skeleton to the story.

Somewhat philosophical in nature if you look at it the right way. Half way through it may seem to proceed rather slowly, but it is necessary to create the atmosphere, and it picks speed in the second half. Overall, no complaints. Well worth taking a dip in the vihir.

Vihir (2009) (8/10)

Cat on a Hot Tin Roof (1958) (7/10)

Almost the whole movie is shot in a small number of locations clearly indicating its play-like nature. So no special effects. Yet it takes nothing away from the excellent dialogues and acting. The story (as also the movie) may be old, but the contents are surely timeless. Its about death and about possible homosexuality, as also mendacity. I am always amazed as to how seemingly different concepts can be brought together in a good story. We learn how talking can be better than just shutting up, how accepting can be better than rejecting and how revealing can be better than hiding.

Cat on a Hot Tin Roof (1958) (7/10)

Teorema aka Theorem (1968) (5/10)

Dubbed as an intellectual thriller about passion and death, the film doesn't say much, neither do the characters. But there is a haunting atmosphere in the somewhat jumpy film. Its about an Italian family and the transformation of its members by a single individual, a visiting stranger. Some people are bound to find the proceedings objectionable. Does it make a statement? I think so. Is it clear? Perhaps not. It has many references that are hidden and so shall the interpretations be. Its almost entirely upto the viewer as to what to make of it.

Teorema aka Theorem (1968) (5/10)